It credited Pasemann for "guitars, bass, arrangements", Goldt for "vocals, percussion, prepared acoustic guitar and prepared zither".
The first single from the album was "Wissenswertes über Erlangen" ("Things worth knowing about Erlangen").
Both the track list and cover artwork were changed to bring them closer to the band's original intentions which they felt had been compromised due to WEA's interventions.
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Foyer des Arts' first album for WEA was titled Von Bullerbü nach Babylon (1982).
The title, containing a reference to Astrid Lindgren's fictional village, would translate as "From Bullerby to Babylon" or (for American ears) "From Noisy Village to Babylon".
Sales of Foyer's first album for WEA failed to meet the label's expectations and was deleted from the catalog within months of its release.
WEA refused to publish any further recordings, but neither did they agree to cancel the contract, so the band was effectively on ice. It was not until after the WEA deal had expired in 1986 that Foyer des Arts finally released their second album, Die Unfähigkeit zu Frühstücken ["The inability to eat breakfast"] on the independent label Fünfundvierzig.
Today, they are primarily remembered for their minor hit Wissenswertes über Erlangen (1982) as well as being the springboard for the career of Max Goldt, who emerged as a successful humorous writer in the 1990s.